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by Tom Harris

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Harris, Tom.  "How Urban Legends Work"  16 May 2001.  HowStuffWorks.com. <http://people.howstuffworks.com/urban-legend.htm>  11 February 2012.
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Stuff They Don't Want You to Know Videos »
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Inside this Article
  1. Introduction to How Urban Legends Work
  2. Types of Urban Legends
  3. Friend of a Friend
  1. Sources of Urban Legends
  2. What Do Legends Mean?
  3. Urban Legends and the Internet
  4. See more »
    1. Lots More Information
    2. See all Folklore & Superstition articles

Lots More Information

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Inside this Article
  1. Introduction to How Urban Legends Work
  2. Types of Urban Legends
  3. Friend of a Friend
  4. Sources of Urban Legends
  1. What Do Legends Mean?
  2. Urban Legends and the Internet
  3. Lots More Information
  4. See all Folklore & Superstition articles
Previous Page

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Prices: Urban Legend Books

  • Death by Drama and Other Medieval Urban Legends
    Death by Drama and Other Medieval Urban Legends

    Part of every legend is true. Or so argues Jody Enders in this fascinating look at early French drama and the way it compels us to consider where the stage ends and where real life begins. This ambitious and bracing study explores fourteen tales of the theater that are at turns dark and dangerous, sexy and scandalous, humorous and frightening—stories that are nurtured by the confusion between truth and fiction, and imitation and enactment, until it becomes impossible to tell whether life is imitating art, or art is imitating life.Was a convicted criminal executed on stage during a beheading scene? Was an unfortunate actor driven insane while playing a madman? Did a theatrical enactment of a crucifixion result in a real one? Did an androgynous young man seduce a priest when portraying a female saint? Enders answers these and other questions while presenting a treasure trove of tales that have long seemed true but are actually medieval urban legends. On topics ranging through politics, religion, marriage, class, and law, these tales, Enders argues, do the cultural work of all urban legends: they disclose the hopes, fears, and anxieties of their tellers. Each one represents a medieval meditation created or dramatized by the theater with its power to blur the line between fiction and reality, engaging anyone who watches, performs, or is represented by it. Each one also raises pressing questions about the medieval and modern world on the eve of the Reformation, when Europe had never engaged more anxiously and fervently in the great debate about what was real, what was pretend, and what was pretense.Written with elegance and flair, and meticulously researched, Death by Drama and Other Medieval Urban Legends will interest scholars of medieval and Renaissance literature, history, theater, performance studies, and anyone curious about urban legends.

    $32.50

  • Encyclopedia of Urban Legends
    Encyclopedia of Urban Legends

    The definitive word on the subject from the dean of urban legend studies.We all know those stories that are too bizarre to be true—roasted babies, vanishing hitchhikers, scuba divers in trees—but have you heard about the ice man or the bullet baby? This comprehensive and compellingly readable reference work will answer all your urban legend questions, offering alphabetical entries on every aspect of the subject, including descriptions of hundreds of individual legends and their variations, legend themes, and scholarly approaches to the genre. Other entries discuss the relationship of urban legends to literature, film, comic books, music, and many other areas of popular culture. A Booklist Editors' Choice 2001 Reference Book. "Unlike most encyclopedias, this one may be read cover to cover."—Choice "Compiled by the foremost authority on this form of contemporary folklore....Superb."—Library Journal 60 black and white illustrations

    $28.95

  • Film, Folklore and Urban Legends
    Film, Folklore and Urban Legends

    From Alien to When a Stranger Calls, many films are based on folklore or employ an urban legend element to propel the narrative. But once those traditional aspects have been identified, do they warrant further scrutiny? Indeed, why is the study of folklore in popular film important? In Films, Folklore and Urban Legends, Mikel J. Koven addresses this issue by exploring the convergence of folklore with popular cinema studies. Well beyond the identification of traditional motifs in popular cinema, Koven reveals new paradigms of filmic analysis, which open up when one looks at movies through the lens of folklore. In particular, this book focuses on the study of urban legends and how these narratives are used as inspiration for a number of films.Divided into five sections, the book begins with a general survey of the existing literature on folklore/film, predominantly from the perspective of folklore studies. Subsequent chapters address discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend. Movies discussed in this book include Alligator, Candyman, The Curve, Dead Man on Campus, I Know What You Did Last Summer, Urban Legend, Weekend at Bernie's, and The Wicker Man, as well as zombie films, killer bee movies, and slasher films (including Halloween, Black Christmas, The Burning and Terror Train). Koven also devotes attention to key television shows such as The X-Files and Most Haunted.In his analysis, Koven explains not only how film and television narratives are built upon already-existing popular culture beliefs, but also how films and television shows recycle those beliefs back into popular culture. Taken as a whole, Film, Folklore and Urban Legends both stands on its own as the first book-length study of folklore and popular cinema, and as an introductory textbook for the study of folklore and film.

    $41.13

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