A variety of people, both male and female, like to LARP. "Most of them are very imaginative people," says Zolkosky. "Most of them have a taste for genre fiction, most are highly intelligent…and are in some sense usually a little bit different socially." Social differences often bring players together, and the LARP beings to provide a social group. "I've seen it bring a lot of people out of their shell," Zolkosky says. "I've seen introverts who have lived in their heads for much of their lives, when they find…a LARP, they discover that there are other people who have been living the same stories in their head. And they begin to come out of their shell and form a social circle based on the LARP."
Just as there are different styles of games, there are also different types of players. People like different game aspects or types depending on their interests and temperaments. Zolkosky explains:
But even though players can have some basic traits in common, they can have different reasons for how they play and why they enjoy the game. Petter Bockman's essay "The Three Way Model," from "As Larp Grows Up: Theory and Methods in Larp," describes these types of people as the dramatist, the gamist, and the immersionist.
- Dramatists like the in-game story or plot. To a dramatist, the narrative is the most important part of a LARP.
- Gamists like to put together details and figure out mysteries or take part in battles.
- Immersionists like to become their character. The experience of playing a role is central to an immersionist's enjoyment of the game.
Most players are a blend of these three types. "Different players like different things," says Zolkosky. "There are people who want to just fight all weekend and win a lot of fights. That's cool, too. A lot of this has to do with your style of what it is you're looking for in a game."
These types also apply to people who create and run LARPs. Dramatists like writing the stories. Gamists like taking care of the details and setting up puzzles for the players to discover. Immersionists like creating a completely real, absorbing world. In addition to creating a world and running sessions, staff must find venues for the games, take care of licenses and insurance where applicable and publicize the game, among other administrative tasks.
For these reasons, creating and running a game is a group effort, rather than the effort of a single person. Zolkosky explains:
Then, once the game gets off the ground, the staff has to be prepared for the unexpected. "The number of things that can go wrong is insane," says Zolkosky." That's why part of the skill of doing this is being able to cope with anything that happens."
Check out the links below for more about LARP, specific games and related topics.
More Great Links
- "As LARP Grows Up: Theory and Methods of LARP." http://www.laivforum.dk/kp03_book/
- Common LARP Pitfalls and How to Claw Your Way Out of Them http://home.clara.net/arianrhod/Aldebaran/DoItYourself/
- Darkon Wargaming Club http://www.darkon.org/
- How to Play in a LARP http://www.skaro.com/larpplay.html
- How to Run a Live-Action Roleplaying Game http://www.skaro.com/larp.html
- It Takes Two to Tango http://www.skaro.com/larpresp.html
- Lukrain's Guide to Boffers http://www.thealmightyguru.com/Boffer/index.html
- Markus Montola and Jaakko Stenros, eds. "Beyond Role and Play: Tools, Toys and Theory for Harnessing the Imagination." http://www.ropecon.fi/brap/
- Running a LARP at a Convention: Logistics and Sanity http://www.skaro.com/larpcon.html
- Setting the Stage for your Live-Action RPG http://www.skaro.com/larpstage.html
- The DIY Guide to LRP http://home.clara.net/arianrhod/Aldebaran/DoItYourself/